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	<title>FilmEmerge &#187; FilmEmerge.com</title>
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		<title>An Oscar Does Not Guarantee Financing of a Film</title>
		<link>http://www.filmemerge.com/blog/2010/12/an-oscar-does-not-guarantee-financing-of-a-film/</link>
		<comments>http://www.filmemerge.com/blog/2010/12/an-oscar-does-not-guarantee-financing-of-a-film/#comments</comments>
		<pubDate>Mon, 13 Dec 2010 23:13:01 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[filmemerge]]></category>
		<category><![CDATA[FilmEmerge.com]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Mark Boal]]></category>
		<category><![CDATA[Nicolas Chartier]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[Triple Frontier]]></category>
		<category><![CDATA[Voltage Pictures]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=524</guid>
		<description><![CDATA[It’s kind of sad that Mark Boal and Kathryn Bigelow, The Oscar winning writing &#38; directing masterminds behind The Oscar winning Best Picture &#8216;The Hurt Locker&#8216;,couldn’t muster up the courage to re-team with Nicolas Chartier, The Oscar winning financing and sales mastermind behind The Oscar winning Best Picture “The Hurt Locker“. Instead, the Untitled Black-Ops picture [...]]]></description>
		<wfw:commentRss>http://www.filmemerge.com/blog/2010/12/an-oscar-does-not-guarantee-financing-of-a-film/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is attached talent helpful to secure film financing?</title>
		<link>http://www.filmemerge.com/blog/2010/11/is-attached-talent-helpful-to-secure-film-financing/</link>
		<comments>http://www.filmemerge.com/blog/2010/11/is-attached-talent-helpful-to-secure-film-financing/#comments</comments>
		<pubDate>Mon, 15 Nov 2010 17:36:15 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[A list talent]]></category>
		<category><![CDATA[actor's reps]]></category>
		<category><![CDATA[agents]]></category>
		<category><![CDATA[CAA]]></category>
		<category><![CDATA[Cast Attachments]]></category>
		<category><![CDATA[film finance]]></category>
		<category><![CDATA[film production resource]]></category>
		<category><![CDATA[filmemerge]]></category>
		<category><![CDATA[FilmEmerge CEO]]></category>
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		<category><![CDATA[filming in Michigan]]></category>
		<category><![CDATA[Hugh Jackman]]></category>
		<category><![CDATA[Indie Films]]></category>
		<category><![CDATA[indie producing]]></category>
		<category><![CDATA[Jonathan C. Rayos]]></category>
		<category><![CDATA[Jonathan Rayos]]></category>
		<category><![CDATA[Letter of Intent]]></category>
		<category><![CDATA[Michigan Film Industry]]></category>
		<category><![CDATA[Michigan film production resources]]></category>
		<category><![CDATA[movie production resources]]></category>
		<category><![CDATA[people in Detroit]]></category>
		<category><![CDATA[principal cast]]></category>
		<category><![CDATA[talent manag]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=512</guid>
		<description><![CDATA[There really is no benefit to seeking letters of intent from actors (or their reps).  Producers hate asking for them, reps hate writing them, and financiers ignore them.  They’re usually out of date.  They’re not binding, nor are they conditional to anything that’s relevant.  And yet, they still rampantly persist within indie producing and packaging. [...]]]></description>
		<wfw:commentRss>http://www.filmemerge.com/blog/2010/11/is-attached-talent-helpful-to-secure-film-financing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Importance of Cash Flow Projections in your Film Business Plan</title>
		<link>http://www.filmemerge.com/blog/2010/11/importance-of-cash-flow-projections-in-your-film-business-plan/</link>
		<comments>http://www.filmemerge.com/blog/2010/11/importance-of-cash-flow-projections-in-your-film-business-plan/#comments</comments>
		<pubDate>Mon, 15 Nov 2010 11:05:44 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Cash Flow Projections]]></category>
		<category><![CDATA[DVD revenues]]></category>
		<category><![CDATA[film accounting]]></category>
		<category><![CDATA[Film Budget]]></category>
		<category><![CDATA[Film Business Plan]]></category>
		<category><![CDATA[film cash flows]]></category>
		<category><![CDATA[filmemerge]]></category>
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		<category><![CDATA[Jonathan C. Rayos]]></category>
		<category><![CDATA[Jonathan Rayos]]></category>
		<category><![CDATA[Michigan Film Industry]]></category>
		<category><![CDATA[Michigan film production services]]></category>
		<category><![CDATA[Michigan Film Resources]]></category>
		<category><![CDATA[PPM in films]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=505</guid>
		<description><![CDATA[Importance of Cash Flow Projections in your Film Business Plan Most film business plans I see do not contain a projection of cash flows. What are cash flows? They are literally the cash that flows into and out of your film project. Early on they will chiefly consist of cash flowing out of your investment [...]]]></description>
		<wfw:commentRss>http://www.filmemerge.com/blog/2010/11/importance-of-cash-flow-projections-in-your-film-business-plan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SEC Insight into Film Crowdfunding Via a Public Securities Offering</title>
		<link>http://www.filmemerge.com/blog/2010/11/sec-insight-into-film-crowdfunding-via-a-public-securities-offering/</link>
		<comments>http://www.filmemerge.com/blog/2010/11/sec-insight-into-film-crowdfunding-via-a-public-securities-offering/#comments</comments>
		<pubDate>Sat, 06 Nov 2010 19:23:45 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[alternative film funding]]></category>
		<category><![CDATA[crowdfunding]]></category>
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		<category><![CDATA[independent film funding]]></category>
		<category><![CDATA[Jonathan C. Rayos]]></category>
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		<category><![CDATA[people in Detroit]]></category>
		<category><![CDATA[public securites]]></category>
		<category><![CDATA[raising funds for film]]></category>
		<category><![CDATA[SEC]]></category>
		<category><![CDATA[securities and exchange commission]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=496</guid>
		<description><![CDATA[SEC Insight into Film Crowdfunding Via a Public Securities Offering   Before I begin, let me remind you that I am not an attorney. So, if you have legal questions or would like to act on something you learn from this posting, please consult with the appropriate attorney first! Thank you. Onward… Crowdfunding in film [...]]]></description>
		<wfw:commentRss>http://www.filmemerge.com/blog/2010/11/sec-insight-into-film-crowdfunding-via-a-public-securities-offering/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A measure on Hollywood :: How much do celebrities cost us?</title>
		<link>http://www.filmemerge.com/blog/2010/09/a-measure-on-hollywood-how-much-do-celebrities-cost-us/</link>
		<comments>http://www.filmemerge.com/blog/2010/09/a-measure-on-hollywood-how-much-do-celebrities-cost-us/#comments</comments>
		<pubDate>Thu, 23 Sep 2010 17:12:59 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Detroit]]></category>
		<category><![CDATA[Detroit film industry]]></category>
		<category><![CDATA[film economics]]></category>
		<category><![CDATA[film in Michigan]]></category>
		<category><![CDATA[film industry]]></category>
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		<category><![CDATA[filming in Michigan]]></category>
		<category><![CDATA[hollywood business]]></category>
		<category><![CDATA[Jonathan C. Rayos]]></category>
		<category><![CDATA[Jonathan Rayos]]></category>
		<category><![CDATA[Michigan Film Industry]]></category>
		<category><![CDATA[Michigan film production companies]]></category>
		<category><![CDATA[michigan movie industry]]></category>
		<category><![CDATA[movietown]]></category>
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		<category><![CDATA[Raleigh Michigan Studios]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=470</guid>
		<description><![CDATA[How viagra do celebrities cost us? That&#8217;s a matter of public debate again in Michigan. Sean Penn was spotted in Birmingham on Wednesday. But even if you multiply Sean Penn by Miley Cyrus by Demi Moore by Sigourney Weaver (to mention a few of the film stars in the area this month), the state Senate [...]]]></description>
		<wfw:commentRss>http://www.filmemerge.com/blog/2010/09/a-measure-on-hollywood-how-much-do-celebrities-cost-us/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>First time experience watching a film with the new D-Box special effects seats</title>
		<link>http://www.filmemerge.com/blog/2010/09/first-time-experience-watching-a-film-with-the-new-d-box-special-effects-seats/</link>
		<comments>http://www.filmemerge.com/blog/2010/09/first-time-experience-watching-a-film-with-the-new-d-box-special-effects-seats/#comments</comments>
		<pubDate>Mon, 13 Sep 2010 16:25:31 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[3D IMAX]]></category>
		<category><![CDATA[3D movies]]></category>
		<category><![CDATA[D-Box]]></category>
		<category><![CDATA[D-box seats]]></category>
		<category><![CDATA[Emagine Theater]]></category>
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		<category><![CDATA[film production portal]]></category>
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		<category><![CDATA[LinkdIn FilmEmerge]]></category>
		<category><![CDATA[Michigan Film Industry]]></category>
		<category><![CDATA[Michigan Film Office]]></category>
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		<category><![CDATA[Michigan film production resources]]></category>
		<category><![CDATA[movie production resources]]></category>
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		<category><![CDATA[production resource]]></category>
		<category><![CDATA[special effects]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=462</guid>
		<description><![CDATA[    If you’ve been thinking about trying the D-Box action seats at one of your theatres, Expendables could be the film to see in a D-seat.  I liked the new D-Box special effects technology at the Emagine Theater in Canton, MI enough during the showing of &#8220;Expendables&#8221; an action adventure film.  Expendables proved to be [...]]]></description>
		<wfw:commentRss>http://www.filmemerge.com/blog/2010/09/first-time-experience-watching-a-film-with-the-new-d-box-special-effects-seats/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Green Lighting Movie Scripts: Revenue Forecasting and Risk Management</title>
		<link>http://www.filmemerge.com/blog/2010/08/green-lighting-movie-scripts-revenue-forecasting-and-risk-management/</link>
		<comments>http://www.filmemerge.com/blog/2010/08/green-lighting-movie-scripts-revenue-forecasting-and-risk-management/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 17:56:58 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[film in Michigan]]></category>
		<category><![CDATA[film production in michigan]]></category>
		<category><![CDATA[film production portal]]></category>
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		<category><![CDATA[green lighting movie scripts]]></category>
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		<category><![CDATA[Michigan film incentive]]></category>
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		<category><![CDATA[revenue forecasting movie scripts]]></category>

		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=435</guid>
		<description><![CDATA[Plenty of movie fans think Hollywood fare has become too rote. Now, some professors at U Penn&#8217;s Wharton School and NYU&#8217;s Stern School present a case for making it even more formulaic. In their paper &#8220;Green Lighting Movie Scripts: Revenue Forecasting and Risk Management&#8221; Jehoshua Eliashberg, Sam K. Hui, and John Zhang show Hollywood how it&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Red Dawn&#8221; remake &#8211; distribution currently hangs in limbo</title>
		<link>http://www.filmemerge.com/blog/2010/08/red-dawn-remake-distribution-currently-hangs-in-limbo/</link>
		<comments>http://www.filmemerge.com/blog/2010/08/red-dawn-remake-distribution-currently-hangs-in-limbo/#comments</comments>
		<pubDate>Thu, 12 Aug 2010 15:08:20 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Crewing up]]></category>
		<category><![CDATA[Film Detroit]]></category>
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		<category><![CDATA[Michigan Film Reels]]></category>
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		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=413</guid>
		<description><![CDATA[As with “The Hobbit” films and the Bond movies, the fate of Dan Bradley’s directorial debut, the remake of “Red Dawn” (filmed entirely in the metro-Detroit, MI areas in 2009) currently hangs in limbo, all thanks to MGM’s money woes. Although the film itself has been in production for a while now up North, the current [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>International movie audiances changing the landscape of Hollywood</title>
		<link>http://www.filmemerge.com/blog/2010/08/international-movie-audiances-changing-the-landscape-of-hollywood/</link>
		<comments>http://www.filmemerge.com/blog/2010/08/international-movie-audiances-changing-the-landscape-of-hollywood/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 12:53:56 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[business news hollywood]]></category>
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		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=405</guid>
		<description><![CDATA[:: The rising clout of international audiences is a sea change for Hollywood. Decades ago, a movie&#8217;s foreign box office barely registered with studio executives. Now, foreign ticket sales represent nearly 68% of the roughly $32 billion global film market, up from roughly 58% a decade ago, according to Screen Digest Cinema Intelligence Service. :: [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;Twilight saga Eclipse&#8221; stars Jackson Rathbone and Taylor Lautner both have their Michigan connections.</title>
		<link>http://www.filmemerge.com/blog/2010/06/twilight-saga-eclipse-stars-jackson-rathbone-and-taylor-lautner-both-have-their-michigan-connections/</link>
		<comments>http://www.filmemerge.com/blog/2010/06/twilight-saga-eclipse-stars-jackson-rathbone-and-taylor-lautner-both-have-their-michigan-connections/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 17:10:08 +0000</pubDate>
		<dc:creator>Jonathan Rayos</dc:creator>
				<category><![CDATA[News]]></category>
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		<guid isPermaLink="false">http://www.filmemerge.com/blog/?p=397</guid>
		<description><![CDATA[Twilight saga &#8220;Eclipse&#8221; stars Jackson Rathbone and Taylor Lautner both have their Michigan connections. Rathbone went to Interlochen Arts Academy in Michigan and is close friends with Interlochen buds, Ben Graupner and Ben Johnson. &#8230;Lautner grew up as a kid in Hudsonville near Grand Rapids, Michigan until his family moved to L.A. to pursue his [...]]]></description>
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